[6] The Electricity Club wrote that the album sounded "fresh and contemporary," calling it "a confident collection... playful, adventurous, and boasting a production that benefits from retaining its rough edges.

"[9] Morgenbladet stated that Savoy had returned like "eternal teens ... with air around their heads," adding that "the frustration and (passive-)aggressiveness that was a part of the previous albums has been replaced with a likeable musical optimism.

"[10] Hamar Arbeiderblad wrote that the album made "a departure from their previously guitar-driven sound in favour of a shameless flirt with 80s electro-pop... as long as the result is this good, there’s nothing to be ashamed about,” while noting that "one would wish that the band would occasionally gear up and create some larger peaks in the voltage curve.

"[11] Åsane Tidende stated that the album was "passionate but predictable," saying that "Savoy's latest addition to the discography is no party, but a bit of a breeze you still get.

"[12] Bergens Tidende offered a somewhat more critical review, calling the group a "harmless side project", commenting that the album was "well-meaning, but never particularly compelling.