Segah

It is named Segah because the maqam starts on the third degree in relation to the "basic" "Magham" scale found in Rast.

This is the third mode and consists of 0.5-1-1 tone which is created in amalgamation of three tetra-chords with the reach method.

Segah mugam associated with love, romantic feelings at listener.

[1] Subgenres of Segah includes: egah Zabul-Segah-Bardasht, Maye, Muya, Manandi-Mukhalif, Segah, high-pitched tone Zabul, Manandi-Hisar (in high-pitched tone), Manandi-Mukhalif (in high-pitched tone), Ashig-Kush, Mubarriga, Zabul, space for Segah, Kharij Segah-Bardasht, Maye, Takhtigah, Mubarriga, Manandi-Hisar, Manandi-Mukhalif, high-pitched tone Segah, space for Kharij Segah.

Middle eastern Sephardic Jews make heavy use of this in their liturgy.