[2] The Orange County Register wrote that "while the flamenco-meets-techno element is still evident, this album is not even particularly danceable in parts, but the sound is now warmer, more lyrical and more melodic.

"[3] The Evening Post dismissed "the loquacious Latino wailings and hobbled flamenco" as "glum revisitations of their earlier efforts—Suave Suave without the stomp and Fiesta Fatale minus its primal burn.

"[4] The Knoxville News Sentinel concluded: "The album is monochromatic and derivative.

Zundel only shows imagination in his exploitation of flamenco guitar, and he uses that gimmick ad nauseum [sic].

This 1990s electronic music album-related article is a stub.