Kane Kwei Carpentry Workshop

Seth Kane Kwei (1922–1992) was a Ga carpenter joiner established in Teshie, in the suburbs of Accra in Ghana.

Since 2005, Eric Adjetey Anang (born 1985, the son of Cedi) has been attempting to revitalize the creativity of the studio by the introduction of new models, the creation of furniture realized in the same spirit and using the same techniques as for the coffins.

The Kane Kwei workshop is deeply anchored in Ga tradition, both by the genesis of its productions, by protocols framing their local use, and by its functioning based on apprentices, who can number about ten.

In this occasion, the apprentice has to pay a sum of money, donate alcoholic drinks, a parasol, a pair of sandals to the boss of the workshop, and then a certificate is handed to him.

While some figurative coffins were acquired in the 1970s by American gallery owners (Vivian Burns in 1973 and Ernie Wolfe, both from Los Angeles), it is since 1989 that these objects achieved international recognition as works of art, through their successive display in exhibitions: Magiciens de la terre (1989, Musée National d'Art Moderne (Centre Georges Pompidou) – Grande halle de la Villette, Paris – Curator Jean-Hubert Martin) and "Africa Explores" (1992, New Museum of Modern Art, New York – Curator Susan Vogel).

The Kane Kwei Carpentry Workshop
Figurative palanquin ; drawing by the coffin - and palanquin builder Ataa Oko (1918–2012) from Ghana
Kane Kweis former apprentice Paa Joe with a sandal coffin. Paa Joe and Kane Kwei were shown together in several group shows like in Les Magiciens de la Terre 1989 in the Centre Pompidou in Paris