However, the master-disciple relationship is given emphasis within the tradition, and written sources are considered of little value 'without experience of the living tradition of actual training within the school'.
[1] In contrast to Western staff notation, shakuhachi playing instructions commonly indicate multiple fingerings resulting in various timbres for a given pitch, and microtonal slides between semitones.
Solo Kinko school honkyoku ("original pieces") generally do not feature an explicit beat.
In some notation systems, nominal rhythmic values are given; musical importance ascribed to rhythmic markings varies depending on the lineage and/or teacher.
Some current publishers of traditional shakuhachi honkyoku notation include the Chikuyūsha, Chikumeisha, Chikuhoryū, and the Kokusai Shakuhachi Kenshūkan.