[1] Vivier was inspired to write the piece after listening to blind singers perform in the city's market square.
[2][3] He wrote in the piece's program notes how he found Shiraz to be, "a pearl of a city, a diamond vigorously cut.
"[4] Vivier had dedicated the piece to pianist Louis-Philippe Pelltier, whom he had met while studying at the Conservatoire de musique du Québec à Montréal.
I had asked Vivier to compose a brilliant, virtuosic piano piece featuring double notes, in the style of Schumann's Toccata.
He began working on it very shortly thereafter and would often phone me late at night or early in the morning, while he was composing, to play for me, at an extremely slow speed, the chord progressions he had just discovered and which had sent him into raptures.