[2] In 1981 Kuramata was invited by Ettore Sottsass to be a founding member of the Italian design collaborative Memphis Group.
[4] Kuramata was mainly known for his use of industrial materials such as wire steel mesh and plexiglass to create architectural interiors and furniture.
Revolutionary pieces such as the "How High the Moon" chair (1986)] reflect the emerging dynamism and maturing creativity of postwar Japan, or his Ikebana, lead crystal free hand blown vase, realized by the Vilca from Colle di Val d'Elsa (province of Siena, Italy), an example of fusion between oriental and occidental cultures.
[2][6] As reference to the dreamlike world of illusion in which Blanche lives, the roses were poured by hand into a mold with liquid acrylic resin.
The appearance of transparency and airiness contrasts sharply to the fact that the chair weighs at seventy kilos, as a result of the acrylic glass.