Signe Margaret Stuart (née Nelson) (born December 3, 1937)[1] is an American artist best known for her abstract paintings and works on paper that are informed by Minimalism, quantum physics and the study of consciousness.
[1] Early mentors included artists: Yngve Edward Soderberg, Cynthia Reeves Snow, Walter Meigs, Bernard Chaet and Lez Haas.
Onomatopoeia, one of Stuart’s 60-foot-wide abstract narrative scroll paintings was the subject of a chamber music composition by composer, Jonathan Chenette (Vassar College, Poughkeepsie, NY).
“She emphasizes continuity, endlessness, surge, and strives for a broader concept of form through a-compositional devices and a tough, sometimes subliminal, and always subsidiary use of color,” Jan van der Marck observed in artscanada.
[4] Laurel Reuter, Director, North Dakota Museum of Art, felt Stuart became known “for her superb instinct for color, for her predilection for sparseness, and for her painted constructions of canvas and paper, both large and small.
Solo gallery shows include: Jan Cicero, Chicago; Peter M. David, Minneapolis, MN; Anderson/O’Brien, Omaha, NE; and William Siegal, Santa Fe, NM.