Simon Perry

Best known for his large-scale public art works for urban spaces in Australia and overseas, Perry's practice incorporates numerous sculptural techniques including casting, carving and fabrication.

From the age of seven Perry was regularly taken to the British Museum where he developed an interest in Assyrian and Egyptian sculpture; he cites the smoothness, monumental scale and coolness of the stone as having a profound effect on him.

He has also produced works in consultation with numerous municipal councils, corporations and architectural firms such as Habel Leonard Stent, Stockland Development, Edgewater, Seasons Apartments, and the RACV.

"[2] Public Purse (right) is, for Australians at least, one of Perry's more recognisable works: located in the Bourke Street Mall, it functions as a unique, distinctive form of seating.

Appearing in a series of thread-like segments, loops, knots and needles, the sculpture works to stitch together the various parts of the stadium exterior and concourse.

Inspired by the architecture of the stadium, the sculpture is made of painted and polished steel; it weathers graffiti, and use as a children's climbing apparatus, it also offers unorthodox seating.

The sound of snoring is indicative of the privacy of unconsciousness, but within the urban context, lying discarded in Federation Square, the giant megaphone appears both comical and pathetic informing to the malaise symptomatic of cultural and political fatigue.

Simon Perry's Public Purse (1994) in the Bourke Street Mall , Melbourne.
Part of Perry's Threaded Field (1999–2000).
Perry's "Public Address" (2005) at its original site in Federation Square , Melbourne.