She sets up actions or situations that demonstrate complexities, contradictions or commonality between medium and discipline, timing and spontaneity, intuition and methodology, artist and audience.
Sinéad was a 2010/11 ArtsAdmin[4] bursary recipient during which time she focused on areas of her practice addressing disability, community and collaboration, including the development of CAUTION project.
Through this series of meetings, actions and correspondences across continents, CAUTION navigated between the national and international, the personal and political, the structured and the shattered, to give the artists space to explore their limits, break through boundaries and work with the extremes of their abilities to communicate and make things happen.
[6] The project aimed to use dialogue and debate to develop trust and understanding between communities, whilst enriching the cultural landscape of Europe and its surrounding nations.
The violent performance series began at Red Ape in Plymouth curated by Mark Greenwood for the fringe event to Marina Abramović's 'The pigs of today are the hams of tomorrow'.
Sinéad has presented work extensively including: In Between Time, Bristol (2013), RITES, Singapore (2012), Mobius Performance Space, Boston, USA (2012), Southbank Centre, London (2012) Golden Thread Gallery, Belfast (2012), Contemporary Art Factory, Tokyo, Japan (2011), My Land festival, Croatia (2012), Black Market International, Belfast (2012), National Review of Live Art, Glasgow (2010).