Sloth (deadly sin)

[2][better source needed] Views concerning the virtue of work to support society and further God's plan suggest that through inactivity, one invites sin: "For Satan finds some mischief still for idle hands to do."

Mentally, acedia has a number of distinctive components of which the most important is affectlessness, a lack of any feeling about self or others, a mind-state that gives rise to boredom, rancor, apathy, and a passive, inert, or sluggish mentation.

Physically, acedia is fundamentally a cessation of motion and an indifference to work; it finds expression in laziness, idleness, and indolence.

[5] Sloth ignores the seven gifts of grace given by the Holy Ghost (wisdom, understanding, counsel, knowledge, piety, fortitude, and fear of the Lord); such disregard slows spiritual progress towards life—to neglect manifold duties of charity towards the neighbour, and animosity towards God.

[6] Italian poet Dante Alighieri contemplates the nature of sloth as a capital vice in Canto 18 of Purgatorio, the second canticle of the Divine Comedy.

Although the most profound versions of this condition are found in a withdrawal from all forms of participation in or care for others or oneself, a lesser but more noisome element was also noted by theologians.

[10] Sloth not only subverts the livelihood of the body, taking no care for its day-to-day provisions but also slows down the mind, halting its attention to matters of great importance.

Faith, Hope and Love, as portrayed by Mary Lizzie Macomber (1861–1916)
Faith, Hope and Love, as portrayed by Mary Lizzie Macomber (1861–1916)