[2] Kamboureli was awarded a Canada Research Chair (Tier 1) in Critical Studies in Canadian Literature in 2005.
Her publications include in the second person (Longspoon 1985), On the Edge of Genre: The Contemporary Canadian Long Poem (1991), Making a Difference: Canadian Multicultural Literature (1996), and a new edition of it, Making a Difference: Multicultural Literatures in English Canada (2006).
Her book, Scandalous Bodies: Diasporic Literature in English Canada (2000), which won the Gabrielle Roy Prize for Canadian Criticism, has just gone out of print, but is available on the TransCanada Institute's web site.
On the board of NeWest Press (Edmonton) since 1981, she is the founder and editor of The Writer as Critic series, which includes, among others, Douglas Barbour's Lyric/Anti-lyric: Essays on Contemporary Poetry, Frank Davey's Canadian Literary Power, Daphne Marlatt's Readings from the Labyrinth, Fred Wah's Faking It: Poetics and Hybridity, Phyllis Webb's Nothing But Brush Strokes, and, most recently, Di Brandt's So This Is the World & Here I Am in It.
Trans.Can.Lit: Resituating the Study of Canadian Literature, a collection of essays presented at the conference, and edited by Kamboureli and Roy Miki, will appear in 2007 (Wilfrid Laurier University Press).