Bill Gibson (from the Eastern Dark) on bass guitar and Cameron Bruce (from the Fantastic Leslie) on keyboards have played shows with the band, as did Bernie Hayes, Jess Ciampa and Leticia Nischang (from Bambino Koresh).
"[3] The band's third album, Lost the Spirit to Rock & Roll (2001), was described by Michelle Ho of Oz Music Project as "Reaching past the simple (but not necessarily bad) structure of classic indie pop guitar/bass/drums, Sneeze delves into elements of soul, groove and even, heaven help us, dabblings into seventies disco, making heavy use of the sorely underrated casio keyboard, bongo drums and deliciously giggle-worthy male falsettos, making [the album] one of the most unique Australian pop releases to date.
"[4] In April of the following year they issued an eight-track extended play, Maybe Moving In, which Ho's colleague Jasper Lee felt "shows the band with slightly greater thematic consistency that is far easier to appreciate... it's hard to discern when to take Sneeze seriously, no doubt they've got their act together in this fairly comprehensive and lengthy EP.
[6] AllMusic's Richie Unterberger rated the album as three out of four stars and explained, "Variety can be a virtue, but the main shortfall here is that the songs aren't special.
The range, it must be emphasized, is admirable: quasi-hard rock, psychedelic, punkish numbers that verge on Fall-like harshness at times, amiable No Depression-like country-rock, turgid soul-pop vaguely reminiscent of Lambchop..."[7] Sneeze's recordings use a range of guest artists including other members of the Lemonheads (who were the first band to record a song for the first Sneeze album), Robyn St. Clare, Simon Holmes (of the Hummingbirds), Bernie Hayes, John Encarnacao (from Warmer), Swirl, the Plunderers) and Jess Ciampa.