They emerged from the British glam scene along with Hanoi Rocks, the Dogs D'Amour, the Babysitters and the Quireboys; gaining popularity during the late 1980s with a series of singles and an album before splitting in 1989.

The sound developed with Andy J. Davies’ trashy, punky, Rock n roll guitar taking centre stage, underpinned with Joolz's melodic bass playing.

Soho Roses' attitude at the time was summed up when budget constraints forced the decision to either remix the EP or release it on pink vinyl.

[7] The EP bucked the trend for a 'Heavy Rock/ Metal Glam' sound, which was current at time, for a more sleazy rock 'n' roll vibe with an emphasis on catchy tunes.

With U.K. live performances, interviews and reviews with Sounds (Mary Anne Hobbs), Metal Hammer, Kerrang (Ray Zell), the band's popularity increased significantly in the UK Glam Rock scene.

The success of Whatever happened To EP and subsequent live shows led to further coverage in the form of interviews and reviews in the UK music press.

[17][18][19] Due to the rise of the American glam scene (Guns N' Roses etc) and differences in opinion regarding direction, in early 1989 Joolz announced that he wanted to leave the band triggering the mutual decision to split.

In June 1989, days after a chaotic, swan song, sell-out gig at the Marquee Club, London, the band recorded The Third and Final Insult album.

[5] Soho Roses are influential and are still fondly remembered in the UK underground rock scene for their DIY attitude and playing the music they wanted to.