Rosalind Bresnahan writes, "In the early hours of the coup, radio had the greatest potential for organizing resistance.
It became illegal to "publicly slander, libel, or offend the president of the Republic or any other high-level government, military, and police officials.
[7] Of any other U.S. journal, NACLA served as the greatest source of information about Chile for people in the U.S.[1] Political art played a central role in the movement.
Activists used concerts, poster art, and arpilleras to promote Chilean culture, denounce the dictatorship, and support the movement.
[8] In Berkeley, CA in June 1975, Chilean exiles and movement activists joined to create La Peña Cultural Center.
The musicians of Grupo Raíz met at La Peña, and performed around the world to educate about Latin American social struggles.
[10] The Nueva Canción group's members included Rafael Manriquez, Quique Cruz, Fernando "Feña" Torres, Hector Salgado, and Elizabeth Lichi Fuentes.
[13] Movement activists attempted to block the dock, and hung a "Junta No" banner from the Golden Gate Bridge in protest.