Songs from the Red Room is the fourth studio album by British pop-rock project Shakespears Sister, released in November 2009 through SF Records.

[2] Jaime Gill of BBC Music gave Songs from the Red Room a positive review, praising Fahey's musical creativity yet also criticising the album's long-delayed release, saying "Songs From the Red Room often sounds dated, and unfashionably late to the party when it should have been first."

"[4] Simon Gage of the Daily Express panned the album in his short review, saying "this second outing, without Marcella, is quite another kettle of fish, so wilfully avant-garde in a way Goldfrapp did much better (and earlier) that it makes you dream of the original SS.

"[7] Luke Turner of NME noted the album's difference in sound, saying "The histrionics of [Stay] are replaced by nail-scratch electronics, Siobhan Fahey's voice flapping above turrets of synths manned by robots in pointy brassieres.

"[8] Jude Rogers of The Quietus gave the album a positive and lengthy review, citing Shakespears Sister's history and success with "Stay", and reviewing each individual track and how they worked within the whole album, highlighting "A Loaded Gun" as "terrifying and poppy" and going on to lament that "Fahey will always be remembered for the song that destroyed her, and not the career that should have followed it, and the drive that should have made her a pioneering artist.