Śuri

[2][5][6][7] Śuri was essentially a chthonic solar deity:[b] the volcanic fire god of light and darkness, lord of the sun and the underworld, with powers over health and plague as well.

[a] Because of his multiple attributes, the Etruscan fire god Śuri bore many epithets,[3][5] among them infernal theonyms – consistently associated with kingship over the Manes (underworld deities), infernal and volcanic attributes, fire, lightning, wolves and goats – like Manth (𐌈𐌍𐌀𐌌, Manθ, Latinized as Mantus),[10][3][5][c] Vetis (𐌔𐌉𐌕𐌄𐌅, also spelt 𐌔𐌉𐌅𐌉𐌄𐌅, Veivis, variously Latinized as Vēdius, Vēdiovis, Vēiovis or Vēive),[16][5] Calu (𐌖𐌋𐌀𐌂),[17][18][5] lit.

'dark' or 'darkness' or 'underworld',[19][20][b] and – by interpretatio graeca – the equivalent[21][22] foreignism Aita (𐌀𐌕𐌉𐌀, also spelt 𐌀𐌕𐌉𐌄, Eita),[23][24][25][3][5] from Epic Greek: Ἄϊδης, romanized: Áïdēs, lit.

[25][3] The center of his cult was Mount Soracte,[42][23][18][43][3][6][7] a sacred mountain located north of Rome, isolated in the middle of the countryside, in an area characterized by deep karst cavities and secondary volcanic phenomena; these phenomena were associated in antiquity with underworld deities,[26] whom the area was hence sacred to, such as the Roman Dīs Pater, syncretised with Śuri (Latin: Soranus).

[3][6][7] Furthermore, his theonym Manth (Latin: Mantus) is the eponymous of Mantua (Etruscan: Manthva, Italian: Mantova),[27][44][10][5] birthplace of Virgil, who also mentioned the volcanic god in the Aeneid.

The shepherds gave chase and ran to a cave – into Mount Soracte – from which such suffocating fumes emanated that those who pursued fell dead.

[53][32] Initially, some researchers supposed that the first lobe, where the gods of the lights and heavens are listed, could represent him, whereas the second an hypothetical partner named Tiur.

[37] Even outside his cult centers, Śuri is mentioned in multiple archaeological sites and artifacts, e.g. the bilingual Phoenician–Etruscan Pyrgi Tablets,[3][2][5][58] the Lead Plaque of Magliano,[17] and the Tabula Capuana.

[59][60] His mentions and depictions also reflect his multiple attributes and epithets, for example his solar theonyms in Pyrgi,[49][2] Caere,[61] and the aforementioned Liver of Piacenza.

[16][8][4] Frequently in associatiation with the aforementioned foreignism Apulu[g] (which does not appear on the Liver of Piacenza), equivalent to his native theonyms Rath,[29][61][d] Usil[32][f] and Vetis,[16][5] he is often depicted in art with a crown and laurel branches.

[63][64] His iconic depiction features the sun god rising out of the sea, with a fireball in either outstretched hand, on an engraved Etruscan bronze mirror in late Archaic style, formerly on the Roman antiquities market.

[66][67] The god – also known as Manth, king of the Manes[c] – also acts as psychopomp: he guides the souls of the deceased into the underworld, getting occasionally nicknamed Charun (Etruscan: Υ𐌛𐌀𐌙, romanized: Kʰaru, from Greek Charon)[68][44][69] and associated with the feminine counterpart Vanth.

[27] As such, he is often depicted on Etruscan coffins as a black-bearded animalistic man or satyr, with pale skin (symbolizing the decay of death),[70] pointed ears,[j] and enormous wings,[73][74][75] wearing a tunic and sometimes a crown or a cap, usually wielding a sledgehammer or a sword.

'dark' or 'darkness' or 'underworld'),[b] is equally identified by his wolf attributes, such as a wolf-like appearance or a wolf-skin cap;[77] and although the equivalent grecism Aita (lit.

'Hades' or 'underworld') is very rarely depicted, he may appear enthroned and sometimes wears a wolf-skin cap, borrowing a key attribute from earlier Calu.

[92] Varro, however, lists Summanus among gods he considers of Sabine origin, to whom king Titus Tatius dedicated altars (arae) in consequence of a votum.

[98][99][95][100] Cicero recounts that the clay statue of the god which stood on the roof of the Temple of Jupiter Optimus Maximus was struck by a lightning bolt: its head was nowhere to be seen.

[105] Mount Summano – located in the Alps near Vicenza, Veneto – is traditionally considered a site of the cults of Pluto, Summanus, and the Manes.

[109][115] Rudolf Simek notes that jötnar – frost and fire giants – are usually described as living to the east in Old Norse sources, yet Surtr is described as being from the south.

[116] These and other apparent coincidences[117] inspired the hypothesis that Surtr's mythic south could be identified in Śuri's Etruscan Italy,[107] but, despite the archaeological findings confirm ancient exchanges among the Tyrrhenians and the Proto-Germanic peoples,[p] systematic studies of comparative mythology and linguistics, as well as additional archaeological surveys, may still be needed to confirm deeper connections.

Drawing from this Etruscan bronze mirror showing Semla embracing the young Fufluns with Aplu [ g ] looking on and a young satyr playing an aulos .
The god on a coin from Populonia .
Chariot fitting representing the sun god. [ f ] Vulci , c. 500–475 BCE . State Hermitage Museum .
The god in animalistic appearance. François Tomb , Vulci , 4th century BCE.
Aita ( Etruscan : 𐌀𐌕𐌉𐌀 ) and Phersipnai ( Etruscan : 𐌉𐌀𐌍𐌐𐌉𐌔𐌛𐌄𐌘 ). Tomba dell'Orco II , Tarquinia .
Surtr with the Flaming Sword (1882) by F. W. Heine , based on a plaster frieze by F. W. Engelhard (1859).