It is best known as being an experimental electronic cult classic and as one of Rabelais' most profound and detailed (while being sparse and minimalist in tone) works.

[1] Intrigued by the content of the tape, he digitally cleaned up the recordings, and began processing and rearranging them with Argeïphontes Lyre, leading to the creation of the album.

7", a vocal line, the first that is sampled from the lament song recordings used on Spellewauerynsherde, 'slips gently into a kind of canonic imitation of itself as a cloud of reverberant resonance drifts in from afar'.

208 b/2", is a distinctive drone piece that, while incorporating tones from the recordings, is 'gather[ed] into an eerie microtonal cloud' that has been compared to György Ligeti's choral works that were used in 2001: A Space Odyssey.

[1] Meanwhile, "(Gorgeous Curves Lovely Fragments...)" is the album's most expressive piece,[1] with multitracked and backmasked arrangements of another individual lament song that occasionally dip out into reverberation.