[1] Parramatta Road was first created in 1791, a vital land (cf water) artery between Sydney Cove and Rose Hill's settlement and crops.
Commissioner Bigge recorded how valuable timber (ironbark) was cut and sawn on the spot, conveyed to Sydney in boats by the river.
[1] Under Rowley's will the estate passed to his three underage children- executors Dr Harris & Major Johnstone were both involved in the 1808 Bligh rebellion and returned to England for the court martial.
He's believed to have built Burwood Villa in 1814 (perhaps on older (1797) foundations of Rowley's shepherd's cottage) and lived here until departing for England in 1817.
Lycett in Views of Australia described "a garden of 4 acres in full cultivation, containing upwards of three hundred Trees, bearing the following choice fruits, viz.
The Orange, Citron, Lemon, Pomegranate, Loquat, Guava, Peaches, Nectarines, Apricots, Apples, Pears, the Cherry, Plums, Figs, Chestnuts, Almonds, Medlars, Quinces; with abundance of Raspberries, Strawberries, and the finest Melons.
Mansions of the 1870s+ such as The Priory were due to a firm belief in its health-giving climate, compared to the smog and crowding of the city suburbs.
[1] The 1880s+ was the era of the debates that led to Australia's fractious states combining into a single Federation, declared at Sydney's Centennial Park, in 1901.
Tree-lined streets such as Burwood Road, The Appian Way or The Boulevard in Strathfield were in marked contrast to most development in Australian cities of the late 19th century.
At the time of its opening the church consisted solely of the nave with a temporary wooden wall where the transepts now cross it, but subsequent extensions - including the tower - have closely followed the design of ecclesiastical architect, Edmund Blacket.
[1] Several parishioners liberally supported the church in its early years, either by direct contributions or by advancing funds, Mr H. E. Krater of Enfield making an initial loan of A£1000.
[1] The present vicarage was added in 1897, and with the addition of the choir in 1905 and the tower in 1924 under the supervision of architect E. Lindsay Thompson, the church was virtually completed as Blacket conceived it.
Ronald O'Brien (1957-1970s) a peel of bells has been installed in the tower in 1960 and stone fencing completed along the Burwood Road frontage.
[1][3] The Pipe Organ was commissioned during the incumbency of Canon Bartlett, a period of growth and establishment of pattern of liturgy at St Paul's.
[1] During the incumbency of Rev John Holle (organist Peter McMillan) an attempt was made to substantially rebuild the instrument, which was halted by a Government Heritage Conservation Order.
[1] Under the current Rector, Rev John Kohler and organist Luke Green, the organ has been returned to complete use in the church services and recital/concert-giving.
[1] St. Paul's Church is of State significance as a fine example of Edmund Blacket's ecclesiastical work and as a focal point of the Municipality.
[1] St Paul's Anglican Church and Pipe Organ was listed on the New South Wales State Heritage Register on 2 April 1999 having satisfied the following criteria.
Cultural artifact of the late 19th century colonial NSW; growing economic stability, and affluence in the garden suburb of Burwood, resulted in a public musical instrument of considerable size and power, yet taste and restraint as most fitting of the strongly conservative political alignment of the area; speaking of confidence and cultural attention.
[1] The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales.
[1] Strikingly fluid, curved display fronts into the chancel; handsome blue-green, dark red and gold stenciling on the pipes in an excellent state of preservation.
of colonial organ builders has not been so thoroughly documented, especially their resourcefulness in periods of economic Depression, lack of code of fair practice in working relations and contractual agreements, etc.
The Burwood organ could easily be an opportunity to carefully document this, especially given its excellent condition or could be lost in yet another restoration of a more invasive character.