Stan Winston

Over the next seven years, Winston continued to receive Emmy Award nominations for work on projects and won another for 1974's The Autobiography of Miss Jane Pittman.

However, it was his ground-breaking work with Rob Bottin on his update of the science fiction horror classic The Thing that year that brought him to prominence in Hollywood.

Between then, he contributed some visual effects to Friday the 13th Part III, in which he made a slightly different head sculpt of Jason in an unused ending.

The movie was a surprise hit, and Winston's work in bringing the titular metallic killing machine to life led to many new projects and additional collaborations with Cameron.

In 1992, he was nominated for another Tim Burton film, the superhero sequel Batman Returns, where he designed the makeup prosthetics for Danny DeVito's Penguin.

Winston turned his attention from super villains and cyborgs to dinosaurs when Steven Spielberg enlisted his help to bring Michael Crichton's Jurassic Park to the cinema screen.

Some of Winston's notable animatronics work can be found in The Ghost and the Darkness and T2-3D: Battle Across Time, James Cameron's 3-D continuation of the Terminator series for the Universal Studios theme parks.

In 1996, Winston directed and co-produced the longest music video of all time, Ghosts, which was based on an original concept of Michael Jackson and Stephen King.

[9] two reasons Stan Winston did this was because he'd had worked with AIP in their last years providing special effects for The Bat People (1974) and start a toy line with action figures from the aforementioned four film remakes.

In 2003, Winston was invited by the Smithsonian Institution to speak about his life and career in a public presentation sponsored by The Lemelson Center for the Study of Invention and Innovation.

After his death, his four supervisors (Shane Mahan, John Rosengrant, Alan Scott, Lindsay Macgowan) founded and built their own studio, Legacy Effects, named to honor his memory.

[16] In 2009, the year after his passing, the Winston family founded the Stan Winston School of Character Arts to "preserve Stan's legacy by inspiring and fostering creativity in a new generation of character creators.”[17] The school, which is 100% online, currently offers hundreds of in-depth, on-demand educational video courses by Hollywood's leading special effects artists and creators.

Johannes Grenzfurthner and Matt Winston talk about Stan Winston and special effects in the 2016 documentary Traceroute