He was one of the most versatile artists in the architecture of Greater Poland in the interwar period, both in terms of style and functional diversity of his buildings.

[3] In 1901, Cybichowski graduated from the German Royal Gymnasium in Inowrocław, today's Secondary School - Jan Kasprowicz (I Liceum Ogólnokształcące im.

Under his supervision, Cybichowski designed in the German capital many edifices, from churches, theatres, gymnasiums to primary schools and infirmaries.

In 1912, he became a member of the newly created (1911) Technical Department of the Poznań Society for the Advancement of Arts and Sciences (Poznańskie Towarzystwo Przyjaciół Nauk).

In 1924, Cybichowski won the competition organized in the perspective of the 1929 Polish General Exhibition in Poznań (PeWuKa: Powszechna Wystawa Krajowa w Poznaniu).

[3] They had five children:[2] Cybichowski's favorite style often referred to neo-classicist forms, as it was the trend in the first decade of the Second Polish Republic.

Cybichowski can undoubtedly be called the most versatile architect in Greater Poland between 1909 and the start of World War II.

He played an important role in the process of rehabilitating village churches to social demographic conditions, by and large redefining the image of provincial sacral architecture.

Stylistically, he was an architect bridging two periods, historicizing forms and modernism, which was first introduced by him into the sacral architectural of large city churches in the region (Poznań, Bydgoszcz, Inowrocław).