Since 2002 Hoenerloh constantly broadened his method by using epoxy and alkyd resin and tempera.
[3] At first sight his cityscapes appear to be faithful views of urban scenes when in reality they are pure fiction.
Hoenerloh manages to produce this impression of reality thanks to his infallible sense of urban spaces and architectural compositions.
For all that a closer look at his pictures shows how close they are to the limits of the subject, the limits of what is plausible, both from the architectural and town planning point of view as from the point of view of color and light.
[4] Stefan Hoenerloh: Paintings / drawings of decaying buildings in imaginary cityscapes.