To quote Fabio Cavallucci: "Pasquini doesn’t worry about changing styles and contents: he goes from interactive performances – like when, for example, he dressed like Spider-Man, sitting on the floor of the streets of London – to the hard rock videos – like the one he’s in the woods stuck with his hands and feet onto the ground, shouting like a maniac.
Or eschews the indifference in order to approach politics, making works that range from portraying the statesman Aldo Moro in sculpture, as he was found (dead) in the trunk of a Renault in via Caetani, to a performance where a series of people raise on pedestals and wave their hands in the fascist salute.
He received his MFA from the Academy of Fine Arts of Bologna in 1991,[7] then immediately left his country for Dublin, briefly, then London for seven years, and New York, where he participated to many exhibitions.
Further solo exhibitions include Sesto Senso, Graffio, Villa Serena (Bologna), Studio Vetusta, Paggeriarte (Modena), MelePere (Verona), Quattrocentometriquadri (Ancona).
In 2014 he finished a public project started in 2011 in Pfyn, Switzerland, that involved the local population of the small town, a time capsule and a big wooden sculpture.
[17] Tiziana Platzer, “Il frastuono della guerra risuona nelle ex carceri”, La Stampa, Turin, 7 November 2015.
Caterina Cavina, “Stefano W. Pasquini”, Arte Contemporanea News, Anno VII numero 35 Novembre-Dicembre 2013, pp.
Federico Mascagni, “L'editoria indipendente si mette in mostra al Fruit” L'Unità Emilia Romagna, martedì19 marzo 2013, p. 26.
Manuela Valentini, “Voci come opere d'arte”, Il Resto del Carlino, Bologna edition, 4 October 2012, p. 29.
Manuela Valentini, “Così chiedo scusa per l'invasione romana”, Il Resto del Carlino, Bologna, 4 settembre 2011, p. 31.
Jelena Jindra, “Reci mi knjigom, ali bez Čitanja”, Globus, Broj 1058, Izdanje 0111, 18.03.2011, Zagreb, Croatia, pp. 70–73.
Daniela Lotta, “Stefano Pasquini”, Flash Art Italia, Anno XXXVIII, N° 251, Aprile – Maggio 2005, Milan, Italy.
Laura Taccani, “Riflessioni sugli effetti delle guerre”, City Milano, Anno 3, Numero 62, 2 Aprile 2003.
Dario Trento, “Pasquini smista posta in galleria Sesto Senso”, La Repubblica, Italy, 24 June 1999.