She acted in some Mexican films like the La bandida (1948), Carta brava (1950), Mujeres de teatro (1951) and Especialista en señoras(1951).
Cervantes's absence in all investigations is based on the fact that, according to the same reports, the businessman returned to the neighboring apartment from where he had seen the arrival of the lovers and, realizing the magnitude of the tragedy, decided to remain hidden, to avoid complications.
The worst happened to her: she was labeled as a "Exótica" despite the fact that she is the opposite: Her dance is refined, ethereal, nothing ties her to the cry of African jungle or the sensuality of the Pacific islands.
She replaced Tongolele in the cabaret Club Verde with everything and the spectacular advertisements in the press and the huge posters stuck in all the streets of the city and, of course, her name was preceded by the fashionable adjective: The Exótica Su Muy Key.
She is simple and sweet in her dealings, an untiring accountant of jokes, she hates fame because she can no longer go to the market to choose her ingredients (she is a splendid cook) or stop talking to the butcher or the vegetable vendor.