Sue Williamson

In One Hundred and Nineteen Deeds of Sale (2018), the names given by slave masters, ages, sexes, and places of birth, along with the names of buyers and sellers, prices paid, and the date of purchase of people from the slave trade in India are written in black ink on cotton shirts.

The shirts are imported from India, dipped into muddy waters drawn from the Cape Coast Castle, and hung around the grounds until Heritage Day, September 24, 2019.

Art brings history of slave trade to life The installation tells a story of loss and symbolizes the essence of a person that is floating in the wind, but all that remains is their memory.

District Six was culturally and ethnically diverse until over 60,000 of its non-white residents were forced to relocate by the South African government during apartheid.

[11] and in 2009 set her artistic view to exploring globalization with her ongoing piece, Other Voices, Other Cities, which was included in Push the Limits.

It's a pleasure to meet you (2016) from No More Fairy Tales Two-channel video, playing time 24.4mins
Rebecca Kotane, Soweto (2013) from All Our Mothers - an ongoing series of photo portraits of women dating from 1983.
Truth Games(1998), Family of Guguletu Seven - why were you smiling – Capt. John Sterrenberg
Messages from the Atlantic Passage, Installation, Basel Unlimited 2017, Switzerland