Sugar painting

After that period, as techniques improved, Chinese folk artists combined the molded sugar with other arts, like shadow play and paper cutting, to create a more diverse range of patterns.

In Sichuan, during the Qing dynasty, further developments were made in production seeing the replacement of the molds with the now-common small ladle.

To inherit and develop this kind of art and food, the government listed it as Provincial Non-Material Culture Heritage.

[1] After the implementation of reform and re-opening policy, many famous sugar painting artists are invited to foreign countries, such as Japan and Spain to exhibit Chinese folk art.

[2] Although techniques vary, normally the hot sugar is drizzled from a small ladle onto a flat surface, usually white marble or metal.

Then, while still warm and pliable, the figure is removed from the surface using a spatula-like tool, and is sold to the waiting customer, or placed on display.

Once sugar is added, the machine is programmed to paint on a plane in a process similar to automatic engraving.

Because of the emperor's compliment, this form of art and food became popular quickly and developed as the sugar painting nowadays.

[1] Customers (especially children) usually select a figure by spinning the arrow on a wheel which will randomly land on popular objects.

The artist is removing a dragon figure after it cooled and solidified.
An artisan finishes a goldfish figure, attaches the stick, and removes it from the working surface to present it to the customer.
Customers spin the arrow to select the figure to be created.
An artist is making and displaying his sugar painting in a People's Park in Jiangxi province, China.