[3] Beyond social media, Suohpanterror's art has been exhibited at Littfest [sv] in Umeå, Sweden;[1] the Siida Sámi Museum in Inari, Finland;[5] the Helsinki City Library's Library 10 facility;[6] the World Village Festival in Helsinki;[7] the XXII Triennale di Milano in Italy;[8] Saw/Gallery Nordic Lab in Ottawa;[9] and the 2020 Biennale of Sydney in Australia.
[15][16] The group's primary medium is digital art,[17] employing détournement techniques, culture jamming, and political satire.
"[22] In line with the Sámi ČSV movement, Suohpanterror seeks to draw attention to the rights of the Sámi people and the grievances they have experienced with its "artivism," including discrimination and racism, exploitation of Sápmi's natural resources, and Finland's failure to ratify International Labour Organization Convention 169 on Indigenous and Tribal Peoples.
[23] In 2014, the group mounted a public display of anti-mining posters in Utsjoki, Finland, to support opposition to plans for a diamond mine in the area.
[14][25] In 2016, the group designed a May Day logo for the Finnish Communist Party (SKP) with a raised Sámi fist and the Finnish–Sámi bilingual slogan "Alas porvarihallitus!
[26] The same year, the group send postcards depicting hanged Sámi to the Parliament of Finland to protest the Teno Fisheries Agreement.