[1] The film is based on the Gujarati play, Baa Ae Maari Boundary by Imtiaz Patel.

The film begins with a guy called Manorath “Mann” Mehra video interviewing some people for a job.

The story moves on to Mumbai where Bharti is singing and living a happy life with her family.

Turns out that she is just dreaming and that her family treat her like a maid, they give her no importance and mock her ways.

Bharti comes out and immediately remembers his childhood when he would chase the maid wearing a similar mask.

He takes the help of Riya and gets Bharti dressed up in many different ways and clicks pictures of each pose.

Her husband attempts to snatch and rip the contract papers, but she stops him and agrees to the modelling.

Mann pays the maid to leave until Bharti returns so that the family realise her worth.

The family is amazed to see her dressed modernly and receiving calls from important people.

Suketu's wife Astha is given a role in a movie, but after many attempts, she is not able to act properly.

Her daughter Gargi comes down and tells the family that she is moving out to live with her boyfriend Sameer.

Anupam Kher dresses up as a doctor and informs the family that Gargi needs a kidney transplant.

The doctor, Mann and Bharti tell the family that this was an act to show Sameer's true colours and that Gargi is now safe.

Bharti's husband tells her he loves her very much and the movie ends with a family picture and a song.

She further wrote that "under the wafer-thin garb of women empowerment, Super Nani is offensively regressive.

"[3] Nandini Ramnath of Scroll.in gave a negative review, calling the film a "regressive eighties-style morality lesson emanate.

"[4] Shubhra Gupta of The Indian Express gave the film 1 out 5, writing, "How regressive can you get?

It is supremely ironical that a film making fun of ‘saas-bahu’ serials (yes, it tries) shoves exactly those sentiments down our throat.