In the beginning, he is married to the hypersexual, demanding, and jealous SuperAngel (Shari Eubank), who constantly harasses him at work.

She orders him home at once when she calls Clint and overhears a female customer, SuperLorna (Christy Hartburg), hitting on him at work.

Clint finds SuperAngel's constant accusations and arguing a turn-off and, back at home, they fight after he rejects her aggressive advances.

A neighbor calls the police as Clint leaves for a local bar, where the bartender is the very scantily clad SuperHaji (Haji).

She repeatedly taunts and insults him over this, which finally results in him killing her by stomping her brutally in a bathtub, then throwing a radio in the water which was plugged into the wall socket.

Clint claims being in the pub all night, but SuperHaji has her revenge on him (for insulting her breast size earlier) by refusing to confirm his alibi.

In his rush to escape, Clint hitchhikes a ride from a boy (John LaZar) and his girlfriend SuperCherry (Colleen Brennan).

Fleeing from the farm, Clint meets a motel owner and his deaf daughter, SuperEula (Deborah McGuire), who convinces him to take a ride with her in her dune buggy to have sex in the desert.

SuperVixen is (inexplicably) a friendly and giving reincarnation of SuperAngel, whose ghost now appears nude between scenes to comment on the plot from atop a bedspring balanced on a mesa.

Clint and SuperVixen fall in love and are inseparable, although their common nemesis, Harry Sledge, arrives on the scene and plots ending the lives of the now happy couple.

Then I had O’Luke, who was in Mudhoney, Stu Lancaster, married to Uschi Digard, who was an Austrian wife and giant — well, they’re all giant-busted women in the picture, which I think makes the send-up.

She's just totally — she does two things: she's either milking the cow with a giant udder, or she’s rapaciously taking her old man, out in the fields, wherever the case may be.

And then there's a sequence where she attacks, rapes, literally consumes a young man in a manger, screaming, shouting German, describing explicitly what she’s doing and how it feels.

"[9] "I set out to make a picture that I thought might compete favorably with today's market in keeping with what I had done heretofore," he added.

"[9] Meyer used names of characters from his previous films, "except the girls are all called “Super” and they play it straight.

"[9] He wanted to hint that Superangel maybe did not die in the bathtub but wound up reincarnated: Guiding the destinies of three people: terrible, nasty, dirty, nogood Harry Sledge, policeman, former green beret, redneck, opinionated, a bum lay, sexually sick, very physical, very muscular; and Clint, clean, slim, obviously a stud but not in a pushy, forward kind of way, totally good; and Supervixen, voluptuous, pure, good, totally giving, self-sacrificing.

[9]The cast included Charles Napier, who had appeared in a number of Meyer films but quit acting to become a journalist for a trucking magazine.

[10] There were a number of other actors who had appeared in earlier Meyer films like John LaZar, O’Luke, Stu Lancaster, and Uschi Digard.

[9] In March 1974, scenes were shot at the Crest Motel and the Sultan's Den in Blythe, California, before the crew finished filming in Quartzsite, Arizona.

[9] The film was Meyer's biggest commercial success since Beyond the Valley of the Dolls, making $8.2 million during its initial theatrical run.

After a tour of Ivy League colleges and after showing it in Europe, it was clear to me that in the two weeks before its national release I had to interject some more sex.

"[4] Meyer also said later the thought "the film wouldn't have had the success it had" without Napier "in spite of the big boobs and seven girls.

[4] After the film came out Meyer said "I plan to stick to what I know works and make one X picture after the next and be even more outrageous with sex and keep pushing the boundaries further and further.

"[15] Kevin Thomas of the Los Angeles Times said Meyer explored "as never before to such an extent the dark underside of his erotic myths.