and the faux noir of 'Raymond Chandler Evening' continue the winning combination of hot licks and cool irony.

"[10] Guitar Player wrote that "engaging melodies draw the listener into the Velvets' domain, where the music's buoyant and highly visual nature immediately begins to satiate any hodad cravings for vocal cues.

"[11] The Richmond Times-Dispatch described the album as "soaked with reverb, slinky guitars, ocean deep-bass and great drum work.

"[13] The Boston Herald noted that the band "cannily put the 'wet' surf sound of reverb-drenched Fender guitars to diverse uses, including tributes to Led Zeppelin, mystery writer Raymond Chandler and the exotic kitsch of Martin Denny.

"[14] AllMusic wrote that the album "finds a timewarped niche in the guitar-rock culture that's right up alongside the master himself, Dick Dale, and the 12 cuts herein find the band members racing through all the intersections on the surf guitar highway, whether it's nodding to Mancini's 'Peter Gunn' theme or shaking a finger in the twitchy vibrato of every fast-gun surf-twang number you've ever heard.