Surplice

A surplice (/ˈsɜːrplɪs/; Late Latin superpelliceum, from super, "over" and pellicia, "fur garment") is a liturgical vestment of Western Christianity.

In several localities it underwent more drastic modifications in the course of time, which led to the appearance of various subsidiary forms alongside the original type.

For example: The first two of these forms developed very early; and, in spite of their prohibition by synods here and there (for example that of Liège circa 1287), they survive in various places to the present day.

Its name derives, as Durandus and Gerland also affirm, from the fact that its wearers formerly put it on over the fur garments formerly worn in church during divine service as a protection against the cold.

In all probability the surplice forms no more than an expansion of the ordinary liturgical alb, due to the necessity for wearing it over thick furs.

The first documents to mention the surplice date from the 11th century: a canon of the Synod of Coyaca in Spain (1050); and an ordinance of King Edward the Confessor.

As part of the choir dress of the clergy, it is normally not worn by prelates (the pope, cardinals, bishops, monsignori, and some canons)—instead, these clerics wear the rochet, which is in fact a variant of the surplice.

The more extreme Reformers furiously assailed its use, but in spite of their efforts, Elizabeth's Act of Uniformity 1558 retained the garment, and the advertisements and injunctions issued under her authority enforced its use, though they ordered the destruction of the "massing vestments"—chasubles, albs, stoles and the like.

And apart from clerks in Holy Orders, all the "ministers" (including vicars-choral and choristers) of cathedral and collegiate churches, as well as the fellows and scholars of colleges in chapel have worn surplices since the Reformation.

The traditional form of the surplice in the Church of England survived from pre-Reformation times: a wide-sleeved, very full, plain, white linen tunic, pleated from the yoke, and reaching almost, or quite, to the feet.

[4] Among the paleo-orthodoxy and emerging church movements in Protestant and evangelical churches, particularly Methodist, Lutheran, and Presbyterian, many clergy are reclaiming not only the traditional Eucharist vestments of alb and chasuble, but also cassock and surplice (typically a full length Old English style) with appropriate liturgical stole, and cassock and Geneva gown for a Liturgy or Service of the Word.

Seminarian vested in a pleated Roman-style surplice with lace inserts, holding a thurible .
An Anglican priest wearing a black cassock , white English-style surplice, academic hood , and black tippet as his choir dress .
The Death of St. Bede , the monastic clergy are wearing surplices over their cowls (original painting at St. Cuthbert's College , Ushaw ).
portrait of abbess Joanna van Doorselaer de ten Ryen, in choir dress. Waasmunster Roosenberg Abbey .
A school choir wearing surplices over cassocks