Susan Collis

In her approach to sculpture, Collis manages to elevate the mundane, celebrate traditional craft techniques, and encourage viewers to take second, closer looks.

Collis is interested in the shift of perception that takes place upon discovery that they are, in fact, careful, intentional acts, and that the materials used are traditionally valued for their financial or decorative properties.

A tired stepladder covered with paint drips from years of use has been simulated by the meticulous inlaying of diamonds, pearls, opals and other prized materials.

A bucket catching a drip from the gallery ceiling may not be the result of neglect, rather a complex staging of pumps, water-tanks and false walls to artificially create the scenario.

Typically works involve large amounts of often hidden labor to create an object that may easily go unnoticed, but is replete with value, be it material or conceptual.

Part of the 2017 exhibition "When we loved you best of all"
"White Lies" (2006) What appear to be paint spatters are inlays of semi-precious and precious materials such as mother of pearl, opals and diamonds