[5] She was also a student of Mercedes Quintana, Juan Carlos Gené, Alberto Ure, Francisco Kröfl, Centro Teatral Grotowsky, and Vittorio Gassman, among other masters.
[7] In the 1960s, Zimmermann presented her works at the Torcuato di Tella Institute, a prominent avant-garde art space.
Dance Laboratory, a group she founded in 1957, began to feature performances that explored revolutionary spirit and protests against the dictatorship.
[12] She also created the Susana Zimmermann Company, which staged dance performances and theater works that featured unconventional themes and addressed current social issues.
[16] These are demonstrated in her works Ceremonies, Dies irae (Days of Wrath), and Oye, humanidad (Listen, Humanity), where said themes were treated as specific expressions.