"[3] Drowned in Sound's Russel Warfield described the album's content as "music with a strong pulse that also whispers its truths close to your ear, like an intimate conversation at the back of a booming dance club.

"[5] musicOMH critic Eric Hill stated: "In many ways it offers lessons in collaborative best practice, with individual sonic identities preserved, yet with a willingness to divert from usual methods on both sides proves it’s much more than just a stop-gap in between their respective next albums.

"[6] Stuart Berman of Pitchfork stated: "Suuns and Jerusalem in My Heart does leave you wondering what more the two entities could have accomplished had they worked on this for more than a week.

"[7] Joe Banks of The Quietus commented: Suuns And Jerusalem In My Heart is more than just a stopgap or indulgence, and with those first three tracks in particular, it pulls off a convincing and vital meld of contrasting cultural and sonic palettes.

"[8] The New York Times' John Pareles wrote: "Whether they are paced by programmed beats, guitars or both, and whether they lean toward rock, techno or vintage electronic Minimalism, the tracks are headed somewhere urgent.