The ten-track album (and unlisted hidden track) sees the band's founder-members, Francois Breytenbach Blom and Theo Crous breaking away from the previous two albums experimental approach and returning to their metal roots.

Directly translated from Afrikaans Swaar Metaal literally means heavy metal; Afrikaners are not known to use this expression in the same context as English speaking metal music fans.

The lyrics, dark in theme, deal with topical South African sociopolitical, cultural and racial issues.

Tracks like Witman, which describe frustrations from the perspectives of some young post-Apartheid white South Africans, Kinderhel, a song about child abuse and Doodstraf, which calls for the implementation of the death penalty in light of high crime figures across South Africa, deliver very unapologetic political commentaries and deal with decaying moral standards in society.

[5][4] Chronicles of Chaos critic Quentin Kalis described it as "...the metal album South Africa has been crying out for; an album able to appeal to the mainstream orientated rock fan yet will also grab the attention of the serious metalhead and may prove to be the catalyst needed to galvanize the scene".