Swipe (comics)

Artists Jack Kirby, Neal Adams, Hergé, and Jim Lee are common targets of swipes, though even those artists may not be above reproach; Kirby was known to have swiped from Hal Foster early in his career.

[1] Similarly, many Golden Age artists kept "swipe files" of material to be copied as needed.

[2] Certain contemporary artists have become notorious for their swiping, including Rich Buckler (who favors Neal Adams and Jack Kirby), Rob Liefeld (many artists), Keith Giffen (José Antonio Muñoz), and Roger Cruz (Jim Lee and Joe Madureira).

[17] Bill Sienkiewicz's early work was blatantly derivative of Neal Adams,[18] as was Tom Grindberg's,[17] Michael Netzer (Nasser)'s, and Mike Grell's.

[19] Pop artist Roy Lichtenstein made a splash in the 1960s with his "appropriations" based on the work of Kirby, Russ Heath, Tony Abruzzo, Irv Novick, John Romita Sr., and Jerry Grandenetti, who rarely received any credit.

"[20] Comics industry figures don't have such a sanguine attitude about Lichtenstein's swipes.

Mutch's 1993 comic Captain Adam was a "narrative collage" of images and texts from over fifty separate Silver Age and Bronze Age comics, randomly put together to form an original story.

Comics pastiches are blatant uses of swipes, cloning, and appropriation, usually using the same characters as the original source.

In his Masterpiece Comics series, American cartoonist R. Sikoryak cleverly mixes exact cloning of famous cartoonists' styles with classic literary texts, creating unique comics "mash-ups".

In comics, it is understood that the difference between a swipe and an "homage" is generally whether the source is directly acknowledged — as opposed to being exposed by a third party.

Throughout the history of the medium, artists have engaged in homages – most often of well-known cover images like Action Comics No.

[citation needed] "I had a bad incident with studying somebody's work very closely at one point, and I resolved never, ever to do it again.

and I was looking at a lot of his work, among others, as a kind of training wheels in considereing [sic] styles, and getting started on this issue.