Sycophancy

Most legal cases of the time were brought by private litigants as there was no police force and only a limited number of officially appointed public prosecutors.

The origin of the Ancient Greek word συκοφάντης (sykophántēs) is a matter of debate, but disparages the unjustified accuser who has in some way perverted the legal system.

A different explanation of the origin of the term by Shadwell was that the sycophant refers to the manner in which figs are harvested, by shaking the tree and revealing the fruit hidden among the leaves.

[1] Other scholars have suggested that the sycophant, rather than being disparaged for being motivated by profit, was instead viewed as a vexatious litigant who was over-eager to prosecute, and who had no personal stake in the underlying dispute, but brings up old charges unrelated to himself long after the event.

In each instance, the lack of personal involvement appears to have been the crux of the accusation of sycophancy against them, the merits of the cases being separate matters from whether they had a right to bring them.

The common thread in the older and current meanings is that the sycophant is in both instances portrayed as a kind of parasite, speaking falsely and insincerely in the accusation or the flattery for gain.

The Greek plays often combined in one single character the elements of the parasite and the sycophant, and the natural similarities of the two closely related types led to the shift in the meaning of the word.

[12] The sycophant in both meanings can also be viewed as two sides of the same coin: the same person currying one's favor by insincere flattery is also spreading false tales and accusations behind one's back.

Illustration by Peter Newell for the poem " The Sycophantic Fox and the Gullible Raven " in Fables for the Frivolous , by Guy Wetmore Carryl ; in French, the fox says " I admire your beautiful plumage " to the raven
Lysias, by Jean Dedieu
Uriah Heep , from Charles Dickens’ David Copperfield , is synonymous with sycophancy.
Botticelli 's illustration of Dante's Inferno shows insincere flatterers grovelling in excrement in the second pit of the eighth circle. [ 15 ]