Later, as a student of painting at the Academy of Fine Arts in Munich from 2002 to 2007 under the Irish painter Sean Scully, she found herself drawn to the Old Masters and Abstract expressionism.

[3] Oscillating between past and present, Venice provides an ideal creative environment for the artist,[4] whose works not only probe the questions of tradition and identity in painting, but also provoke a discussion of the intrinsic value of art and society.

[6][7] The ability to disclose by concealing, to render visible by shrouding – the artist has internalised this fundamental potential of painting and made it central to her work.

[10] To mark the Venice Biennale of 2015, the Venetian Curia commissioned von Gaza with a site-specific work for the Renaissance chapel of the Gussoni family in the church of San Lio.

A Pilgrimage towards Equilibrium[14] for the Padiglioni Paralleli[15] in the Basilica Santa Maria della Salute to coincide with the 57th International Art Exhibition La Biennale di Venezia 2017.