Sylvester Russell

He was the "first Black arts critic to gain national recognition in the U.S.," in his turn-of-the-century column in the Indianapolis Freeman.

[1][2][3] In a 30-year career that spanned three cities: his early days in Indianapolis, time at the Chicago Defender and, finally, New York City where he founded and published a newspaper called the Star, and famously developed a system of ranking Black performance qualitatively from "low comedy/minstrelsy” at the bottom to the "classics" at the top,[1] which reflected his:... clear desire to establish African American music as a field worthy of study, with a history and progressive development.

[1][4]That kind of specificity begot nuanced discussions on the page about the transition from vaudeville to silent film, which led to him and fellow music critic Nora Douglas Holt attaining the status of pioneers.

[5] Later in his career, Russell became known for a dispute with Bill "Bojangles" Robinson as efforts to establish an association to build a memorial home for "Race actors" in honor of Florence Mills progressed.

[6] He challenged segregation laws by sitting at a table in an upscale restaurant.