Among other things, she is recognized for performing the complete cycle of 32 Beethoven piano sonatas twice (in 1989–1990 and 2003–2004), and her music for the ballet The Masque of the Red Death, based on a story by Edgar Allan Poe.
[1] She began her musical studies at four years of age with her mother, and she started learning to play the piano before her feet could reach the pedals.
The Zürich newspaper Unterhaltungs Blätter said of her: "It is remarkable the number of young and qualified Argentine artists in recent years who conquered the European public.
She has recorded music of Beethoven, Chopin, Brahms, Paganini, Tchaikovsky, Liszt, Weber, Mendelssohn, Schubert, Granados, Glinka, Schumann, Franck, Scriabin, Berg, Mozart, Ginastera, Rachmaninoff, Bach, Grieg, Dohnányi, Falla, Gershwin, Hindemith, Haydn, Janáček, Piazzolla, Ravel and Strauss.
As a composer her highlights include choral works (two a cappella suites for choir and a cantata for soprano, tenor, choir and orchestra) and music for the ballet The Masque of the Red Death, based on Edgar Allan Poe's story by the same name and released by the Capitol Arts Center of Bowling Green, Kentucky in 2001.