[3] Fanchon's works have been characterized by large, simple geometric forms: squares, rectangles, circles and triangles, evoking and taking inspiration from the legacy of modern painters such as Kazimir Malevich and Piet Mondrian.

[4] With around 50 artworks in public collections, Fanchon's work is present in more than 15 major French institutions including CNAP, MAC VAL, Pompidou Center, M/M Paris, and eight regional contemporary art funds.

[5] Fanchon later described her work by stating: I don't want technical prowess, I favour the surface, without ever introducing perspective, volume, shadow or light.

"Sylvie Fanchon paints from elements extracted from reality — furniture diagrams, plans, comic strips or cartoons — to synthesize them to the extreme.

The untitled work is described as "based on an imbalance that the quantity and dullness of the blue covering most of the surface tries to compensate for, without suggesting that a superior and utopian harmony could exist beyond our reach".