[2][3] Taal's films look at multiplicities of identity, and explore the social and historical significance of her father’s home, Jufureh, and myth-making about returning to places that no longer exist except in "topographies of grief and loss".
[8][9] At the shore, everything touches (2021) explored Taal's relationship with her father's home village, as well as the history of the area with relation to the Atlantic slave trade.
[11] Halo Nevus (2021), also explores her relationship with her paternal home country through the use of her birthmark as central character; following its slow fade over a period of five years.
Pieces included work from Scotland-based artists Chizu Anucha, Sequoia Barnes, Thulani Rachia, and Matthew Arthur Williams.
[4][13] She also completed her residency at the Studio Pavilion in Glasgow, where she has been creating work for her first institutional solo show, launching at Dundee Contemporary Arts late 2021.