She taught at Tel Aviv University Theatre Department, at the WIZO Haifa Academy of Design and Education and served as Senior Lecturer at the Sapir Academic College.

Itzhaki lectured, led seminars and workshop and served as member of professional jury in international design competitions, all those in Prague, Amsterdam, United States, Antwerp, Lisbon, Ebora, Munich, Jaipur, Seoul, Gothenburg and elsewhere.

Tal Itzhaki has translated numerous plays into the Hebrew, among them María Irene Fornés' The Conduct of Life,[1] Sarah Daniels Neaptide,[2] Jonathan Harvey's Beautiful Thing, David Hare's Secret Rapture, Caryl Churchill's Cloud Nine and Seven Jewish Girls, Arnold Wesker's Shylock,[3] Bernard Slade's Same Time Next Year, Anne Devlin's Ourselves Alone, Nick Dear's The Art of Success, and many others.

The sea, like the entire stage, moves between a shining Israeli light of consciousness, and a Norwegian or Swedish darkening, of a sub conscience remindful of Ibsen, Bergman, or Edvard Munch"[7] And on the production of Inherit the Wind, which she designed for the Haifa Theatre, theatre critic Elyakim Yaron wrote in the same paper: "It is impossible to imagine Gazit's direction of the play, especially in those parts in which a huge theatrical and spectacular momentum is required, without his fertile cooperation with his stage designer, Tali Itzhaki.

Her design managed to successfully create a magnificent integration of that atmosphere of distinct American background, and a clear conception of a huge and impressive space.

The aesthetic neatness of the set, which wonderfully combines the brown wooden colors with the classical white structure of columns and banisters, is a delight for the eye.