Tamar Getter (Hebrew: תמר גטר, born in Tel Aviv, April 1953) is an Israeli artist and teacher.

Getter studied at Hamidrasha Art School with Raffi Lavie in 1971-1972, and soon after began to exhibit her works and gain recognition as a promising young Israeli artist.

[2] These works, which are dominated by scales of monochromatic colors and materials not considered "artistic," stood in direct confrontation with the images of the Tel Hai series that signified, in Zionist culture, the myth of Israeli heroism, images of sightedness and blindness, and of corpses and torsos.

The conflict between logic and rationalism, and the expressive and grotesque dimension, appears again in many of the works from her late period, from the 1990s on, such as in the painting Double Monster (1996) or the series The Asia Society's Building (2003).

In these works Getter reconstructs idealistic structures from Western art that emphasize the insufficiency of the human body, using squeegees of paint and mechanical drawing tools such as plumb lines.