Tatty Devine
Tatty Devine have collaborated with musicians such as David Bowie, Peaches, Belle & Sebastian, Camera Obscura, Los Bitchos, Robots in Disguise and the Amy Winehouse Foundation including producing exclusive tour merchandise and charitable products.
Designers Peter Jensen, Ashish,[3] Eley Kishimoto, Mimi Wade, Clio Peppiatt, Claire Barrow, Kit Neale, Matty Bovan, Mary Benson, The Rodnik Band, Basso and Brooke, Louise Gray and SIBLING have worked with Tatty Devine on their fashion collections, alongside lifestyle collaborations with MADE.com, Mi-Pac, MAKE International and Wild and Wolf.
Charitable collaborations span wearable pieces of protest art to powerful florals and beloved animals: from the Fawcett Society, Equality Now, Eve Appeal, Not A Phase, Terrence Higgins Trust, the Crafts Council, Museum of London, Royal London Hospital, WOW Festival, The Pansy Project and the Young Women's Trust to a ground-breaking range of animal jewellery with WWF: Tatty Devine's first collection to be made entirely from recycled acrylic.
In 2009 two collections were produced: Leisure Pursuits, which had plimsolls, ping pongs, and telephones all turned into jewellery; later on in the year, Button Up which was inspired by the Pearly Kings and Queens of East London, where Tatty Devine are based.
This was followed by an Autumn/Winter collection which featured contrasting town and country mice, witty miniature printed willow pattern plate adornments, crystal studded paisleys, moths and German gingerbread.
In 2013 Tatty Devine experimented with exuberant shades of acrylic including iridescent and neon, to create strands of lotus buds, elephants, geometric arrangements and hot house leaves.
In 2014 Tatty Devine released their Spring/Summer collection which drew on retro futuristic space modules, hyper real printed conch shells, opalescent beach-finds and hand moulded iridescent bubbles - continuing to push beyond the boundaries of traditional jewellery design.
This was followed by an otherworldly Autumn/Winter collection, heavily influenced by the occult: seance hands, geometric patterns picked out in autumnal tones of Formica laminate and wood, shimmering 3D crystal balls and a wearable tessellating hall of mirrors.
In 2015 Tatty Devine celebrated Spring/Summer with a contemporary take on traditional Tudor houses: reimagined in a tactile range of glossy acrylic and wood and accompanied by ground-breaking floral statements and intricate lacework-style dragonflies.
Later on in the year, Rosie and Harriet were inspired by the Memphis Group, revealing their take on colour pop everyday items: from 80s style printed collage collars to statement pot plants and irreverent nods to domesticity: crystal-studded iron jewellery.
In 2017 Tatty Devine debuted The Art of Wasting Time, their Spring/Summercollection which heavily referenced Valley of the Dolls, delicate florals and colour pop pill capsules, etched with the brand's then Brick Lane store number.
In 2020 Tatty Devine released their sun kissed Spring/Summer collection, Bloom Boom, composed entirely of floral designs, from dahlias to daisies and flowering sweet peas, utilising Duchess satin, beads and laser cut acrylic to create their most ambitious ensemble yet.
Beginning with a pastel bright chameleon inspired by the Ishihara Test, lush prayer plant leaves and fierce lionesses followed as Rosie and Harriet explored hot-off-the-press shades of acrylic while continued to push boundaries within contemporary jewellery design.
