Her work has been published in over 100 journals in the United States, England, Scotland, Ireland, Canada, Australia, and India.
She is the author of three collections of poetry, four published prose stories, and many translations from the French, German, and Spanish.
thesis, “Paradigms of Ritualism,” examined ritualism in Euripides’ The Bacchae; Ulysses in Nighttown, a play based on the 15th episode of James Joyce's Ulysses; Garcia Lorca's Blood Wedding; Albee's Who’s Afraid of Virginia Woolf; Genet's The Maids; and Beckett's Happy Days.
[23] Coe has worked as editor and writer for publications including The New York Free Press and Changes (NY, 1969); English teacher and director of poetry workshops in Kathmandu, Nepal; director of children's poetry workshops at the Sun Valley (ID) Center for the Arts; and as editorial consultant for numerous financial publications at investment banks in Manhattan.
[24] Hayden Carruth wrote about The Everyday Uncommon: “It’s clear to me that she knows what she’s doing, she’s doing what she wants to do, and she does it well.”[2] The book has also received critical praise from Rhina Espaillat,[2] R. S. Gwynn,[2] David Mason,[28] and Deborah Warren,[2] among others.