The music was also included in the 2011 compilation Crumbling in the Shadows is Fraulein Miller's Stale Cake (Centering Records).

[5] In a review for AllMusic, Brian Flota praised Parker's "amazing emotional and experimental capabilities," but noted the "less than average production of the disc.

"[7] Ed Hazell of The Boston Phoenix called the music "stunning," and stated: "Parker plunges in as if he were trying to save a sinner from the devil.

From its opening moments, 'Sonic Animation' grabs you with alarming force as Parker wails and declaims with the fury of an Old Testament prophet... With his arsenal of rhetorical devices, speed, and facility on the bass -- and a dark, woody tone that projects honesty and strength -- Parker maintains a remarkable level of intensity for nearly 80 minutes.

"[10] The Chicago Reader's John Corbett described the album as "a splintering blindside attack of metal, wood, and bow hair," and commented: "'Sonic Animation' is 23 minutes of furious energy, all arco, while Parker's singular approach to pizzicato–accelerating phrases, string buzzing on the neck, multilinear riffs, and the constant thud of thwacked open notes–is evident on the title cut; moving into the finale, he sits on a single cool melodic line, smacking the bottom-end nastily between numerous repetitions.