Thérèse Lessore

Her parents were the French painter Jules Lessore (1849–1892), who had lived in England since 1871, and his wife Ada Louise Cooper.

Her grandfather was Émile Lessore (1805–1876), a French ceramic artist and painter who had designed and decorated Wedgwood pottery from the 1860s onward.

[1] Her brother, Frederick Lessore, was a sculptor who founded and ran the Beaux Arts Gallery in London, and her elder sister Louise Powell (1865–1956), was a Wedgwood pottery designer.

[2] In 1931, The Times's review of a watercolour exhibition by Lessore noted her "serene" portrayal of subjects ranging from "children playing in London parks" to "people at the circus or theatre, Sussex fishermen, and a few pure landscapes", concluding that she possessed a "rare talent happily employed".

Her work for the company showed the influence of the Bloomsbury Group artists Vanessa Bell and Duncan Grant in its "loosely handled paint and formal abstraction".

The Days Work - Hop Picking , oil on canvas, Aberdeen Art Gallery