To date, five singles have been released to promote the album, which includes a version of the track "Freak Me Now" with Irish musician Róisín Murphy.

opens the record and features cameo vocals from various celebrities speaking the phrase, including singer Kylie Minogue (with whom Ware had collaborated on the single, "Kiss of Life" in 2021), actress Gemma Arterton (who appeared in the music video for "Remember Where You Are"), and Róisín Murphy (who recorded her vocals in an airport toilet [18] and who would later work with Ware for a remix of "Freak Me Now").

[20] The second track, "Free Yourself", was released as the first single from the record in July 2022 following a debut at Ware's headline set at that year's Glastonbury Festival.

Inspired by Donna Summer, Evelyn "Champagne" King, Teena Marie and Chaka Khan,[13] the "ascendant and evangelistic disco" track sees Ware "paint[ing] a three-dimensional picture" of herself: "I'm so 9-to-5, I'm a lady / I'm a lover, a freak and a mother.

"[23][24] The pace of the album slows down for the fifth single, "Hello Love", a soft track that was inspired by soul-led and groove-led artists the Gap Band and Donny Hathaway.

[25] The middle section of the record sees "Begin Again", the third single released in April 2023 and the final track on side A of the vinyl, was inspired by trips to Brazil and features brass instrumentals from Kokoroko.

[26] “Why does all the purest love get filtered through machines?” asks Ware in the pre-chorus, who jokingly said the lyric "probably came" from writing the song long-distance over Zoom, but then going to elaborate about "being a prisoner to screens".

[28][29] The French house "Freak Me Now" sees Ware get "loose and giddy", featuring a "euphoric refrain" reminiscent of Raheem the Dream's "If You Ain't Got No Money".

[28][30] The track was inspired by "Vogue", Grace Jones and the B-52's; its campness was compared to Countess Luann's "Money Can't Buy You Class" by The Independent's Adam White and Cristina's "sharply witty depictions of New York's 80s hipster demi-monde" by The Guardian's Alexis Petridis.

"[18] "Lightning", a "gauzy trip-hop slow jam",[20] sees Ware trace back to her R&B roots, taking hints from Sade, Madlib and Drake.

[36] Reviewing the album for AllMusic, Andy Kellman claimed that, "Vocally, Ware has somehow found another gear, turning in her most commanding performances while having what sounds like a ball with her background singers.

"[38] Ludovic Hunter-Tilney of the Financial Times praised the record for shifting to "a more funk-and-soul-based sound", drawing comparisons to Chaka Khan's "majestic vocal attack" with Ware's single "Pearls".

[24] Julianne Escobedo Shepherd of Pitchfork commended its inspired take on disco, calling it "a genre revival album that's painstakingly true to its source material, but doesn't sound like a curdled rehash".

[1] Konstantinos Pappis compared the album to its predecessor in the review for Our Culture Mag, writing that, "it feels like Ware is able to tap into a kind of emotionality that was a bit more measured on What's Your Pleasure?