The Abduction of Hippodameia

[1] The subject is from Greek mythology: During the wedding of Hippodamia and Pirithous, the barbaric centaurs who had been invited became wildly intoxicated, attacking the other guests and even the hosts.

[2] An earlier similar work, cast in silver, was commissioned by the Jockey Club to be a trophy at the Bois de Boulogne horse races in 1874.

Because the trophy was contracted to be unique, the work was remodeled with slight changes to the positioning of Hippodamia and the forcefulness of the centaur.

[2] The sculpture's theme of struggle between the rational and the bestial, expressed in a mythological setting, was a popular one and not unusual in 19th-century European art.

[2] It is frequently supposed that Rodin, who was associated with Carrier-Belleuse's studio in the 1870s, contributed to the modeling; the general opinion is that, while the subject matter and the lines of Hippodamia exemplify Carrier-Belleuse's style, the expression and musculature of the centaur suggest Rodin.